The following review contains spoilers for Shin Godzilla

Toho Strikes Back
Though not without its faults, Shin Godzilla (also known as Godzilla Resurgence) delivers on all fronts. As any good and entertaining Godzilla film should do, Shin gives you a full serving of humor (both intentional and not), great visuals and destruction, music that adds to the experience rather than serve as just background noise, and a human plot that stacks up well against the best the series has offered in the previous 28 Toho productions.
But of course, there aren’t only 28 Godzilla films. A pair of others were made in the West, the first of which was a failed attempt by summer blockbuster connoisseur Roland Emmerich. The film was such an afront to the Godzilla name that Toho immediately responded with Godzilla 2000. Not only that, but Toho eventually dubbed Emmerich's version of their legendary monster 'Zilla' because, as Toho put it, "They took the God out of Godzilla". Despite the fan backlash, Zilla is a part of Toho's official canon and it later appeared in Godzilla: Final Wars where it showed up just to be promptly obliterated by the real deal. It's 
. After Final Wars, Godzilla would go into hibernation for over a decade until the West tried again.
That second attempt was Legendary's Godzilla 2014 and it didn’t take long for Toho to repeat history and announce that they were bringing big G back in response. They boasted that this new Godzilla would be the biggest yet, reclaiming the title from Legendary’s Godzilla which had just taken it months prior.
It felt as though Toho might have had a bruised ego. While Emmerich’s film was a disaster, director Gareth Edwards made a solid attempt at bringing Godzilla to a Western audience with Godzilla 2014. Despite having plenty of flaws, the movie did justice to the source material and respected Toho’s pride and joy. It was also a huge box office success, prompting Legendary to quickly announce that two more Godzilla films would be on their way. Despite my worries that Toho was rushing out a new movie for petty reasons, I remained optimistic.
We could be in the early days of a Godzilla golden age. It's possible there will be two concurrent Godzilla series with Japan and America trading blows, movie by movie. What a time to be alive!
A Godzilla Unlike Any Other
When it was announced that Hideaki Anno would be directing Toho's newest film, many eyebrows surely were raised in response. Known for his background in anime and as the director of the Evangelion series, his hiring turned Shin Godzilla into a big wildcard. It was easy to think blending the style of an anime with a live action monster flick could backfire badly. Ultimately, however, it worked out pretty well.
What Anno gives us is one of the most unique Godzilla designs we've seen yet. While mostly done in mostly good CG, there still seemed to be a bit of animatronics at work as well. While Anno claimed he wasn't satisfied with their efforts to keep up the Toho tradition of using a man in a rubber suit, they did end up using motion capture on a suit, as well as a puppet touched up with CG, and the end result is a deceptively classic feeling Godzilla.
By using a lot of low angles looking up at Godzilla and distance shots showing the legendary kaiju in beautiful wide landscape shots, Anno is able to effectively communicate his monster's immense size and terrifying features.
I use the word terrifying only half truly, for Godzilla's introduction is anything but. When we get our first look at Anno's creation...well, just look for yourself.
Wait...that's not Godzilla!
Godzilla's Evolution
Oh, how the theater laughed. It's probably the googly eyes that most effectively derail this serious moment into one of utter hilarity but regardless, this version of Godzilla is simultaneously the worst and best thing my eyes have ever witnessed. I could see how a diehard Godzilla fan would see this and be offended but honestly, it's just freaking funny.
What really caught me off guard was how unsettling this Godzilla actually was when we got to see more of it. As it shimmy shimmied its way through town (there's really no other way to explain how this thing moves), a jiggly fat neck wobbles to and fro opening gills that drench the ground in blood. Gross! At one point, Godzilla attempts to stand on its two hind legs, revealing not a strong, healthy looking creature ready to bring the destruction but instead a tortured abomination. This is a freak that probably wants to be annihilated and it's unsettling to watch. The whole thing is funny, disturbing, and depressing all at once. It's a mix of emotions quite unlike anything Godzilla has evoked in me before.
And just when you think this introduction can't get any more bizzare, Godzilla evolves.
Like a Pokemon.

Oh God, someone hit B and stop this! It's starting to actually look intimidating!
What we're left with is something that's starting to look like the Godzilla we know and love, minus the goofy googly eyes that still remain. Due to civilians still being in the area, Japan holds off on an attack allowing Godzilla to return to the sea to rest and when he returns, he's evolved a second time. This is when Godzilla starts to look very familiar. But don't think you know this Godzilla, its packing a few interesting surprises.
Godzilla Reborn

Pictured: Godzilla bringing the disco back
Instead of rebooting the series as a sequel to the original Gojira, Toho and Anno decided to start from scratch. Shin Godzilla features a brand new Godzilla with a brand new origin story. I already touched on one major change, the fact that Godzilla looks very different and then evolves into a more familiar monster, but his looks and origin aren't the only things revamped.
Godzilla's got some tricks up his sleeves, tricks we haven't seen before. The biggest of which is the monster's atomic breath, now a crazy sort of napalm breath/energy beam/disco show combo. And it's deadly. Godzilla ends up turning Tokyo into an infernal hellscape in minutes flat, one of the most powerful and destructive moments in Godzilla's long and storied history. It's the highlight of the movie and seeing it unfold in theaters was like a Godzilla sized dream come true. Unfortunately, this climax happens somewhere around the midpoint of the movie, the final act falls short of topping this spectacle.
Some fans are saying these changes go too far, that it's too different and ridiculous! Well, to them I say see
,
, exhibit C....
 
The biggest issue I have with this new Godzilla is its demeanor. The monster barely shows any emotion outside of its anger induced rage fest. It moves very slowly and often looks like a statue. In fact, the movie basically ends with just that; a frozen statue Godzilla plastered right in the middle of Tokyo. I feel this all was a creative decision by Anno, perhaps wanting to use Godzilla as a stagnant but ever present threat to Tokyo. It fits with the commentary on the 3/11 disasters and makes sense, it's just a preference to want a more lively and emotive Godzilla.
 
All in all, Anno has given us a very unique Godzilla, from a drastic departure in appearance, to evolutions and new atomic abilities, to humanzilla things emerging from his being. You read that right. Humanoid Godzilla beings trying to escape the monstrosity that is Shin Godzilla. Anno's monster makes us laugh, makes us cheer, and even manages to make us feel some of that authentic Toho terror and dread. Despite the googly eyes.
 

Seriously. Humanoid Godzilla beings. Good luck sleeping ever again.

The Human Element
For me personally, the human plots usually end up being a Godzilla film's weakest link. Sure, some zany time traveling plots with aliens might entertain more than others but for the most part, Godzilla is usually bogged down by characters we don't care about giving dialogue that feels like pure filler. To me, this is not the case with Shin Godzilla, though I can see the possibility of people getting lost in the dialogue or bored during some longer plot heavy sequences.
A Deeper Meaning
This film operates like a behind-the-scenes documentary following the Japanese government as they deal with a surprise Godzilla attack. This means there's no human sub plots, no love story, no crazy sci fi. You're getting a rather realistic look at a natural disaster and a nation's response. While some might not like this, it's clear that Anno had a plan and knew exactly what approach he wanted to take and why.
Shin Godzilla has a lot to say. It draws on the 2011 Tohoku earthquake and tsunami as well as the Fukushima meltdown that followed to provide a humorous satire on the response of the Japanese government. It becomes obvious when the Prime Minister goes on live TV, deceptively dressed in an emergency rescue suit (we as viewers know the man has spent all his time in conference rooms and meetings, not out surveying damages), telling the people that they need not worry about the monster making landfall. As soon as he says this, he’s interrupted with the news that Godzilla has already done so.
 

It did what now?
Subtle digs at government operations appear throughout the film, from constantly needing to change board rooms to an exhausting chain of command that must patiently be navigated to approve each order. Can we fire, can we fire, can we fire? Yes, fire. We can fire, we can fire. Fire away. But on top of the satire, there are several more serious topics Anno wants us to ponder as we watch:
Japan's deep respect for Article 9, the part of their constitution that renounces war and the use of weapons. The Japanese Special Defense Force mentions several times that they are better suited for helping the citizens evacuate instead of fighting Godzilla.Japan's inability to defend itself and needing to rely on the United States to help with Godzilla. Japan does try to use force against the monster but they throw everything they have at Godzilla without even leaving a scratch on him. It's the Americans that eventually wound Godzilla when they come to help.Japan's role in the worldwide community and the older generation's passive ways, going along with the decisions being made for them. This even applies to the ridiculous notion of dropping a nuke on Tokyo to destroy Godzilla.
Anno challenges us to come up with our own thoughts on these issues, to wonder if Japan should be given more autonomy and break with tradition to build a strong military that can defend themselves. We watch a sort of changing of the guard as an older generation gets replaced by a younger one and with them comes a shift in thinking. It's up to us to compare these two leadership styles and come to our own conclusions, though the character Yaguchi makes a pretty bold statement late in the movie basically yelling at the audience that Japan's Special Defense Force is the only hope for Japan's future.
The Downside
While we're given a deep and intriguing story, it does tend to drag at times as we get a couple of long dialogue heavy sequences. The most notable occurs after Godzilla's attack on Tokyo when Japan's new leadership studies Godzilla and finalizes their plan to stop not only the monster, but the nuke the world wants to drop on Tokyo. While they come up with an ingenious plot that they successfully execute, the explanation is overwhelming and difficult to follow. Dialogue in this movie comes fast and furiously, there's more characters than Game of Thrones, and whenever a new character or location appears, we get extra subs to tell us the information the movie thinks we need to know. At times I was reading as fast as I could and still couldn't get through everything. And if the screen wasn't crowded enough, sometimes English speaking characters would pop up adding Japanese subs to the hilarious mess.
This wasn't so hilarious in the movie's final act however. The part of the film that digs most deeply into Godzilla's origin story was the hardest to follow. A man named Goro Maki had been studying mutations due to nuclear contamination, he knew about Godzilla and apparently so did the United States. Something happened to his wife, he commits suicide, and leaves behind all his research on an abandoned yacht. His research forms a sort of puzzle for the Japanese government to solve, which they eventually do by realizing they could fold his data printouts like oragami, unlocking everything they need to put their plan into motion.
Yeah, I don't know. I'm not sure why Maki would make his research so cryptic if it could help stop a monster he knows very well. I'll have to wait for the Blu-ray release to see exactly what was going on with this part of the plot.
Japan's Defenders
Maki is sort of the most interesting character in this movie because of the mystery surrounding him, yet he never appears on screen. As for the others, I'm personally ok with Anno deciding to make his story driven by satire and political commentary instead of giving us a personal connection to any individuals. It's fitting that a large group of characters come together to defeat Godzilla, with no special emphasis on any one person. It would sort of contradict the film's message to have a single hero. Japan needs to decide if they want independence, if they want to be able to take care of themselves as a country. They decide yes and defend themselves, as a country not a person.
In truth, none of the characters seem like they'd be all that interesting if we dove further into their lives anyways. This is something that can sadly be said about most Godzilla movies which is a shame. While most of the characters don't really stand out, one character in particular does. And not in a good way.
 

"I'm Kayoco Ann Patterson and I'm totally spunky and a little funny. I want to be YOUR president." -Kayoco Ann Patterson 2028
The problem with Kayoco is that in a story where you can reasonably buy into what is happening, all the political maneuvering and the messy chain of command present within the government, I just can't buy into her ever becoming president. She's a stereotyped character and no amount of suspended disbelief can make her aspirations seem plausible. Her English speaking scenes stick out like sore thumbs as well, especially her meeting with the US Ambassador to Japan. The man is portrayed like a cartoon villain, he's just a voice coming from a shadowy seat. Despite just needing to read a few lines, the voice acting is rather bad. The whole scene could have just been tossed. There's a few other American characters that have the same problem in their brief roles.
And So It Ends
As mentioned earlier, the Japanese government comes up with a pretty clever plan to defeat Godzilla, inspired by their findings in Maki's work. Essentially, they want to inject a blood coagulant into Godzilla cooling him down. The plan works, Godzilla is frozen, no nuke is dropped on Tokyo. At least not when the film ends.
I've been thinking about this ending since I left the theater, it leaves a lot open to speculation. We're told that if Godzilla were to wake up, the countdown to drop the nuke would resume. That would give them roughly an hour to...do something, whatever they could do before Tokyo is wiped off the map. This combined with the humanoid Godzilla creatures I referenced earlier creates an ending that maybe needed just a bit more. Open ended is good but, unless there's a direct sequel, I think Shin Godzilla leaves too much on the table.
Despite the flaws, Shin Godzilla's human plot rides its thought provoking nature to success. I may change my opinion a bit over time as I reflect back on this movie and watch it again, but right now I'm feeling pretty confident in saying it's one of the best human plots from any Godzilla movie. I can certainly see why someone might disagree, mostly because of the lack of personal character development, but the 1954 original Gojira is the only film in the series I can think of that delivers a comparably powerful plot and strong message about the world that inspired it.
Final Thoughts
A few scattered thoughts I have on other aspects of Shin Godzilla:
The soundtrack is fantastic. The classic theme and sound cues are present, making sure we know that we're watching an authentic Toho Godzilla, filling us with feelings only Toho can provide. I found it interesting how the soundtrack seemed to evolve with Godzilla and the Japanese Government. The music was more orchestrated and string driven when the old and passive leadership was in charge. When the younger generation took over, the music became more modern, lead by electric guitar and drums. The middle sections had a sort of blend between the two with strings, piano, and drums making for some great original tracks.The biggest blunder of this film was truly the googly eyes. There were other problems I saw in Godzilla's design based on the promo pictures and trailers, mainly the stubby arms and the incredibly long cat-like tail, but after seeing the film, those worked well. The googly eyes on the other hand...Though the effects were mostly great, there were some instances where the CG looked particularly bad. They serve as examples why the smaller budgets of Eastern films can't do full CGI like Western movies can.When Godzilla is injured by the American Air Force, I wondered if that was the cause of Godzilla's back lazers. Perhaps atomic energy was leaking through his wounds, similar to the gaping neck hole Godzilla has in GMK: Giant Monsters All Out Attack.I'd rather not compare this movie to Godzilla 2014 but let's face it, everyone is going to. If Toho turns Shin Godzilla into a series, it'll be Toho and Legendary going toe to toe for several years. I'd say Toho wins round one, the main difference being that Shin Godzilla is a lot more effective at accomplishing what it sets out to do. Legendary's film decided to make Godzilla a third string player behind nameless soldier #645327 and the Mutos. The problem was that Brody wasn't interesting enough to carry the movie like they wanted him and his plot to do and no other element in the film made up for it. Director Gareth Edwards also wanted to tease his monsters, evoking the slow burn style of classic films like Jaws and Alien, but it just didn't work. The cuts were unnatural and it felt obvious that they were intended to mess with us. I do enjoy Legendary's film. I've seen it several times and will see it several more I'm sure. There's just no contest here with regards to which movie executed its intent better.
In Conclusion
I personally love Shin Godzilla, I feel it could very well end up being one of my favorites but I can see why others might feel differently. The poor pacing, long sequences of information overload, Godzilla sleeping for half the movie while the Japanese government studies and plans, and the kaiju's incredibly goofy and hilarious first form are all enough to give someone pause. Throw that on top of a very topical and heavy commentary that is tough to follow if you're not familiar with the 3/11 disaster and subsequent Fukushima meltdown, and you've got a movie that requires a lot from its viewers. It could take several rewatches to really grasp what is going on, I know it will for me. While I love the depth and feel Anno gives us a very thought provoking story, it might not click for others. It all comes down to what the viewer prefers, in respect to both storytelling and how they would like Godzilla to be used.
In the end, there's no doubt that this a Japanese movie made for a Japanese audience. The fact that we get to see it in US theaters is a treat. If you're curious about what an authentic Toho Godzilla film is like or you're a big fan of their work already, Shin Godzilla is absolutely a must see movie. You just might want to do some light reading first.
 

The true King is back and no one does it quite like Toho.

The Legend of Zelda is one of the greatest video game series of all time. It also happens to be one of my favorite. When I first discovered that there was manga series based off the franchise I have played since I was a child, I had a bit of a meltdown. The series is by Akira Himekawa and every book is a treasure, including the latest based on final Zelda game on the Gamecube and the first for the Wii. The Legend of Zelda: Twilight Princess, Vol. 1 debuted on February 8th, 2016 - it was translated and released in the States on March 15th, 2017, published by Viz Media.
 
At first, it wasn't likely that the book would be published at all due to the game's rating and how it was received. Like the previous entries in this manga series, the Twilight Princess manga is based off the video game of the same name. This graphic novel is the first of four planned for the series.


There is a Legend...
Our hero, Link, is doing his best to settle down in the peaceful Ordon Village. Little does he know, his world of light is about to turn dark. Shadows have begun to stir. An ancient evil long forgotten has taken hold of the land of Hyrule. Can Link face the darkness of his former life and rise to meet his destiny? Or will he be swallowed forever by the demons lurking in his past?
 


Entering The Shadow Realm
While Twilight Princess is based off the video game, there are quite a few changes to the story. It goes further into the origins of Zant and Midna and provides Link with a backstory prior to his arrival in Ordon Village. While this added information fills in the narrative, I'm eager to see how they develop it in each volume. Focusing on our main hero, this personification of Link is different than others up to this point. He's a little rough around the edges and less eager to please. He acts like an actual teenager, which is refreshing, but he still has those familiar heroic qualities.
 
The theme is much darker and the visuals complement that vision. Some of the scenes are pretty gruesome, but then again, this was one of the more somber entries in the game franchise. As a starter, Vol. 1 does a good job drawing in the readers, leaving many unanswered questions. It also provides enough change for veterans of the series to be intrigued.  While the novel does captivate its audience, I feel like it ended far too soon. This book only covers the very beginning - and though the creators have always done well adapting the games, I can't help but worry a bit. Or maybe I just want the next volume to be out.
 
I can't get over the artistry; the artwork is just outstanding. Hyrule and its inhabitants leap off the page. Each character depiction is very true to the video game. The panels are fluid, easy to follow, and they read quickly. Overall, this is a pretty good start to a series.
 


Twilight Princess, Vol. 1: Final Thoughts
The Legend of Zelda: Twilight Princess, Vol. 1 doesn't shy away from the darker themes explored in its console counterpart.Though the tone is more mature than other franchise adaptations, it is visually inspired and true to the source material. It introduces a fair amount of previously unexplored backstory and sets up its audience for the next dramatic entry; and I am excited for it!
 
What do you all think? Have you read The Legend of Zelda: Twilight Princess, Vol. 1? Did you know  Vol. 2 is out?  Want to have a copy of your very own? Click here!
 
Or maybe you're more interested in the source material...click here for the HD remake on the Wii U, or here for the Wii version. Good luck finding a copy for the Game Cube!
 

You know what's more fun than cooking in an actual kitchen? Being a master chef of the video game world! And what better way is there to spend time screaming at your friends or loved ones than sitting on the couch with Overcooked. Team 17 created a fun and fast-paced cooking based game that everyone can enjoy. Whether you are prepping the kitchen for four or going solo, this game is a great way to pass the time.
 

Setting Up The Kitchen
Our culinary quest starts like any other adventure; King Onion and his dog, Kevin, plead with us to save the world by satisfying the hunger of The Beast. Unfortunately, as players are cooking newbs, the only items they can serve up is salad. Let's face it;  the Beast's hunger cannot be satisfied by salad alone.
 

 
King Onion takes it upon himself to send the players back in time to travel about and sharpen their cooking skills for a rematch. In order to prepare, the future master chefs (not to be confused with Master Chief...that's another game) must head through cities, go on the road, and venture into outer space to conjure delicious dishes to satisfy the Beast.
Overcooked Recipe Book
Overcooked has several different modes: Campaign, Versus, and DLC in the Lost Morsel, and Festive Seasoning. Regardless of the mode you choose, the game has the same focus.
 
The object of Overcooked is to prepare and serve food while avoiding obstacles and beating the clock. The quicker players put out orders, the more tip money and points they receive. Each level usually has a particular recipe to prepare, such as soup, burgers, fish and chips, or pizza. Orders will consist of various ingredients that must be chopped, cooked, assembled, plated and sent out. In some cases, players are responsible for cleaning dishes, while in others they must avoid kitchen hazards like moving counter tops and jumping between food trucks.
 
In the campaign mode, players tackle a series of levels that require a mastery of 1-3 stars to advance to the next section. Each level has a particular score that needs to be hit to earn a rank, and players must cooperate in order to master the kitchen. Versus mode pits players against each other in an all-out cook out. Overcooked's DLC options offer would-be chefs more levels and more avatar options.
 

 
 

Next Top Chef?
When I purchased this game during XBOX ONE's Black Friday deals, I was reminded fondly of an Atari game called
. My nostalgia factor took over, and I sat down to play this game. First off, the graphics are pretty great. The game has an old school feel with smooth, modern graphics. The music is catchy, though forgettable - but that's not really what matters in a game like this.
 
This game is addictive, especially as a co-op game. It's not enough to get one or two stars. I had to have them all, and each stage had a fair amount of difficulty. While not the hardest game on the shelf, some of the levels could prove to be pretty challenging depending on how well your team works together, or how many players you have.
 
The controls are simple enough, and when it comes time for Versus mode, there is a fair amount of challenge swapping between avatars to beat your opponent - unless of course, you have more players.
 
I found myself saying pretty often, "There's no way you could do this with one player." That being said, it really isn't as fun with just one person. I'm not sure it's meant to be played solo.
 

Overcooked: Final Cook Off
If you are looking for some good, competitive fun, this is the perfect game to pick up. It's a great game to play with a couple of friends or family members, provided you work as a team. Of course, if cooperation isn't your thing, you could find yourself screaming "CHOP THAT ONION" at someone you thought was your friend, but clearly doesn't know his or her way around a kitchen.
 
Regardless, it's a wonderful way to spend the afternoon, and with the added DLC, players can keep coming back to the kitchen for another round.
 
So what do you think? Have you played Overcooked before? Which avatar is your favorite? Let us know in the comments below.
 
Want to try Overcooked?
 
Buy it here on XBOX ONE,  PS4, or Steam!
 

 
 
 
 

We’ve come to the final franchise entry for the PS1 era. The series developed from the 8-bit medieval fantasy into a more realistic and futuristic game, each with a twist on game mechanics and story-telling. Though the past three main Final Fantasy games ascended into a more ‘technological era,’ this last entry was a nod back to the originals that started the epic journey.  Set against a medieval background with a cast of quirky and unforgettable characters, it would be easy to believe that Final Fantasy IX is a light-hearted adventure; but don’t be fooled. While the look is more cartoon-ish, the story-line is incredibly dark as well as charming.  There are many pros and cons to this fantastic entry, and it is definitely a fitting swan song for the PS1 era.
 Back to the Classics and New Additions
Final Fantasy IX is quite the turn after Final Fantasy VII and VIII.  Seeped in past lore,  we leave the materia and GF-Junction systems behind as we return to the single class character design and buying upgrades. The game has several nods to past franchise entries including character inspirations, musical throw-backs, and collectible items. This lends a lovely touch of nostalgia without completely relying on the past. Of course, since this is a Final Fantasy game, the music is master piece by the wonderful Nobuo Uematsu in one of his greatest scores ever. All of these cherished aspects combine into one of the most well-balanced and visually stunning games in the series.
 
While the game returned to its roots, it’s not without innovations. One in particular is the addition of ‘Active Time Events.’ These cut-away scenes were added to provide additional insight and character development for a richer narrative. Other new developments involve a new way to learn abilities, an option to forge new weapons and armor, and a series of mini-games to form a truly enjoyable game.  Regardless of the changes or throw-backs, the greatest part of Final Fantasy IX lies within its story.
 

Welcome to Gaia
Our story begins in the world of Gaia on the onset of war between two of the great nations. Players join Zidane Tribal, a plucky thief in a traveling band of misfits called
. He and his crew are attempting to capture the princess of Alexandria, Garnet Til Alexandros XVII. What begins as a high-stakes kidnapping turns into a game of cat and mouse. It catches not only the princess and her protector, Adelbert Steiner, in a daring escape, but also poor Vivi, a
 and innocent bystander. As our plot thickens and the cast of characters grow, tension between the nations of Alexandria, Lindblum, Cleyra, and Burmecia rises. War rages against the power hungry Queen of Alexandria and Garnet's mother, Queen Brahne.
 
While Zidane and the others face the threat of Alexandria, a third player is pulling the strings. With the mysterious introduction of Kuja, a mysterious arms dealer, our heroes soon discover that not everything as it seems. It is a twisted story of war, self-discovery, and other-worldly surprises.
 

A Fine Line between Comedy and Tragedy
Final Fantasy IX has one of the most intricate stories of the series. On the surface it begins as a war story, but the narrative sinks into a dark allegory concerning our own existence. Unlike previous heroes who jump into the fray because they are 'the chosen ones,' we have characters who press on out of obligation, love, or self-discovery. While the powerful arc pushes each character to his or her limit, they exponentially grow by the conclusion. The lines of good and evil are so blurred that it's hard not to show sympathy for characters on both sides. Even the all-powerful villains seem to have some redeeming qualities that can alter our perception.
 
The world of Gaia is covered in shades of grey - while some moments are clearly black and white, the narrative touches on the aspects that make us all human, while using both human and non-human characters. Filled with silly moments and downright bone-chilling scenes, Final Fantasy IX tells a powerful story that players will want to revisit. It is incredibly well-balanced; the heavy moments are complemented by charming comedic scenes that allow for a rounded narrative.
Change isn't Always Good
That being said, there are some issues. The main story becomes a little muddy and difficult to follow. While all of the characters are very interesting, some of their development doesn't reach full potential, including the main villain. At points, the pacing is a little slow, but the worst error is a mandatory section that requires players to play Tetra Master. Rather than having a mini-game add extra fun, this card game is forced on the players and it does not play as well as it's predecessor, Triple Triad. There is no worthy reward for playing the game, and it really doesn't fit in.  That being said, these aspects are not overwhelming enough to destroy the game experience. The game mechanics and the wonderful characters are enough to keep gamers wanting more.
 

Getting Ready for Battle
Final Fantasy IX has game-play very similar to its predecessors. Players have access to a main party that consists of eight playable characters: Zidane, Dagger, Vivi, Steiner, Freya, Quina, Eiko, and Amarant. There are other NPC characters that gamers can control for a determined amount of time. Players can explore the world map, towns, and dungeons like previous entries; however, rather than using a save point, Final Fantasy IX utilizes moogles for that function. When players encounter a moogle, they can talk with it, buy basic items, and take part in the mini-game ‘Mognet’ which is an on-going letter exchange between all the moogles in the game.
 
In addition to the save point change, Final Fantasy IX includes a field icon to assist in finding exits and treasure on screen – which is a huge help considering the intricate graphics. There is also a new approach to puzzle solving and story-telling through the ATE – or active time events. These events can allow for slight differentiation in game play, character development, and navigating dungeons – almost like Final Fantasy VI.
 
Also, like previous entries, players navigate the world map by foot, chocobo, boat or airship and can run into random battles.
 

Customization and Equipment
Final Fantasy IX returns to a single character system; each character has a specific skill set and equipment they can equip, and that never changes. On the other hand, players get to choose which abilities their characters learn by equipping them with the proper equipment. Of course, a thief (Zidane) can’t learn Cure – that’s a skill outside his class. However, gamers can acquire many different items with learn-able abilities. These abilities depend on the equipment characters wear and use.  After gaining enough ability points, characters can use the skill without the item.  As characters level, so do their stats, attributes, and skill points. The higher level, the more skills your characters can equip.
 
Another fun customization for characters comes from forging new items. Players can collect equipment and use it to form stronger weapons and accessories with rare skills. It becomes imperative to horde equipment in order to make new items because there are so many options. Of course, it's easy to find a guide in the age of the internet - but it's important to hold on to at least one of everything.
 

You Used TRANCE! It's not very effective…
Final Fantasy IX uses a similar battle system to its predecessors, and returns to the original four character battle formation. Each encounter runs on the Active Time Battle system (ATB) that has players waiting for the gauge to fill in order to perform an action. Each character has special abilities based on their class, such as steal, black magic, or casting summons/eidolons.  However, unlike previous entries, the battle speed is incredibly slow.  While the animation of the enemies and characters is quite incredible, the action drops to a crawl which makes battles last much too long.
 
Another change comes in the addition of the ‘Trance’ mode limit break. As characters take damage, a secondary gauge fills, much like Final Fantasy VII’s limit breaks. When the gauge is full, characters go into ‘Trance’ mode and unleash powerful attacks for a short period of time. Though it sounds great, the biggest flaw with the Trance model was the inability to store or save it. Whenever a character’s gauge is full, he or she will automatically go into Trance mode – like after an enemy has died or a battle has concluded.  The game will even pause to allow a character to enter Trance mode before the victory music plays. Also, the Trance abilities aren't always the greatest.
 
Regardless, Final Fantasy IX’s battles are still fun and with fair amount of challenge.
 

Mini Games and More
By this point, Final Fantasy fans know that each new entry is going to have some interesting mini-games. Final Fantasy IX is no exception. There are plenty of side missions: the Mognet quest,  a chocobo item-hunting game, and the terrible Tetra Master.  After the success of Final Fantasy VIII’s card game, Triple Triad, the developers included something 'similar' and made it part of the story.  Unfortunately, Tetra Master is not as easy to follow, and could be down-right frustrating. After a brief explanation and a few test runs, the card game is still confusing. Gamers must manage to get through it.
 
Another point of contention involved Final Fantasy IX’s strategy guide. While this didn’t affect the game directly, instead of doing its job, the guide was full of links asking players to log into the PlayOnline website. Most of these links no longer work, but thankfully, the internet has plenty of noteworthy guides for anyone looking for a helping hand. Understandably, if someone shelled out the cash for the guide, it would hardly be worth it.
 

 
 
Final Thoughts
Final Fantasy IX does a wonderful job of capturing the heart of the Final Fantasy series. The game is truly an example of a wonderful narrative and it captures spirit of the beginnings of the franchise. It marries some of the greatest aspects of the series into one beautiful game with an incredible story and soundtrack. This final entry for the PS1 era says good-bye to the designs of the past and forges on into a future of innovation.
 

 
 
 
 

Bury my shell at wounded knee after you jump back onto the Nostalgia Train. Our next trip takes us back to one the greatest times in video game history! The Super Nintendo truly was a golden era of video games, and this month's entry is no exception. Was there a better way to spend time with your siblings or friends than punching out foot soldiers in different time periods? The answer is always no. That's when I usually pull out my cartridge of Teenage Mutant Ninja Turtles IV: Turtles in Time.
 


Cowabunga! Big Apple (3 Am)
TMNT: IV is such a popular game that most enthusiasts call it merely 'Turtles in Time.' It's a 'beat'em up' with a simple premise and easy game play. Players join our heroes as they track down Krang and Shredder after the villains steal the Statue of Liberty during a televised tribute. Of course, this mission isn't so simple; Shredder has his own plan to banish the turtles into a time warp. Leonardo, Michelangelo, Raphael, and Donatello must bash their way through legions of baddies in the past, present, and future in order to find and return the American symbol to its rightful place and time.

Turtle Power! Turtles in Time
While the plot is nothing really to write home about, it's perfect in its simplicity.  You'd be hard-pressed to find a deep plot in any game focused on beating your enemies to a pulp. Of course, the focus of this game is the addicting game play. To start, players select their favorite turtle; each has particular strengths and weaknesses. The object is to fight through each level and conquer the end boss, ultimately reaching Super Shredder and retrieve the Statue of Liberty.
 
Each stage has different hazards and obstacles to overcome, such as moving platforms, falling rocks, and spaces that freeze a player dead in his/her tracks. At one point, players must throw foot soldiers at the screen in order to continue on. At the stage's end, the turtles must face the likes of the Baxter Stockman, Leatherhead, Beebop, Rocksteady and many other familiar TMNT enemies. While the game provides a fair amount of challenge with limited amount of lives and continues, it's not overly complicated and it's an easy game for just about anyone to play.
 

 
 
 


The Co-op Game of Champions
The past has given us plenty of fun and frustrating co-op games: Contra, Battletoads, Super Mario Brothers. Time has also given us some pretty interesting TMNT games - like the impossible one for the NES. Put those together, with
, and you have a co-op game for the ages. 
The cooperative play in Turtles in Time is seamless; players can fight alongside one another without attacking each other, but the game does require a bit a strategy. Health - or pizza- is limited, as are special attack hazards located in particular levels. Also, there are quite a few levels that throw out two bosses at the same time. It's times like these that it helps to have your best friend ready to punch out a mutated warthog.
 


Technodrome: The Final Shell Shock
After 25 years of awesome, this game is still one of the best ways to kill an afternoon. (Or an hour...depending on how good your teamwork is!) While there are certainly other amazing games out there, TMNT IV: Turtles in Time is the perfect game for endless amounts of beat'em up fun. In fact, I think it's about time I picked it up for another play-through. So what do you all think? What's your favorite co-op game? Have you picked up Turtles in Time lately? Let us know in the comments below!
 

Welcome back to the Nostagia Train – the series that brings you back in time to enjoy the beloved or not-so-beloved games of our past.  This time, we are headed back to 1994 when FPS shooters involved tricky mazes, creatures from another world, and mild motion-sickness. Following the success of Doom and Wolfenstein 3D, Heretic: Shadow of the Serpent Riders was a dark, medieval take on the first-person shooter.
 
A twisted atmosphere of ambient noise and uncertainty around every corner, Heretic is more than just a Doom clone. While most of the game takes cues from its predecessor, Heretic manages to stand on its own as a pretty solid game. There are a few functional changes and a different theme bundled with a little online multi-player option that makes this game worth checking out.
 


Heretic: War of the Serpent Riders
Three devious Serpent Riders with powerful magic have sought to control the kings of the world and wage war. However, the Sidhe elves resisted the riders. They sacrificed their own power to stop the kings from tearing each other a part at the cost of their own magic. Thus, the elves were rendered helpless before the Serpent Riders and forced to go into hiding. One remaining warrior, Corvus, seeks vengeance against the Serpent Riders and sets out to defeat the weakest first – D’Sparil. Will his vengeance be realized and can he make it home alive?
 

 

 


Navigating the City of the Damned
Heretic is your basic first-person shooter, but with a few perks. Unlike previous games, you can actually look up and down in this game! It’s a little change, but it really helps when you’re trying to find out what’s shooting you.  A less helpful tidbit is the introduction of gibs – that way you are pleasantly reminded of the fact that you died a horrible, skin-melting lava death.  Oh yes! And you can fly. So, there’s that.
 
Aside from these small changes, game play is very similar to other FP shooters of the era. Players must navigate through a level-based structure with varying degrees of difficulty. Find weapons, find keys, find treasure and murder the bad guys.  Part of the fun of these games is figuring out the puzzles and unlocking the door forward to the next, more difficult level of the dungeon. That, and the abusive cheat codes.
 


Trying to cheat, eh? Now you die!
One of the best parts of Heretic and games like it is throwing on the cheat codes and slaughtering your foes. There are several codes for “god mode” or “all weapons” – but don’t go typing in IDKFA of IDDQD just yet. The game actually punishes players that try to use the secret codes from Doom. If you don’t believe me, give it a try!  You can download the game on steam!
 
Overall, Heretic: Shadow of the Serpent Riders is one of those games that slipped through the cracks. While the story isn't much to write home about, the actual game play is where Heretic shines. It was released at a time where Doom was king, and the release date had it competing with the next level of gaming. It had missed its mark, but it really is a solid game. If you are into old school first-person shooters, Heretic is really worth spending the time and money on. If you end up liking it, there are two sequels!
 
So, what do you think? Want to head back into the past? Where should we go next? Let us know in the comments below!
 

Finally! August 8th has come (and gone) and  The Legend of Zelda: Twilight Princess, Vol. 2 manga series has arrived! I anxiously awaited the UPS delivery notification, and couldn't wait to dive into the next part. I had high expectations following the strong start of Vol. 1 from Viz Media - and the second didn't disappoint. The story continues with the base story line from the video game, but with slight changes to translate the action and give our hero, Link, a voice.
 
While the first was an introduction to Link and the whirlwind of twilight that had ripped through Hyrule, this second entry tackles his awakening as the hero. Let's take an in-depth look at the second part of the four part series. Before reading further, if you are interested in the Vol. 1 review, you can find it here.
 


Caged in Twilight
In the second installment in the series, Link awakens chained and in the form of a majestic wolf. A twilight imp by the name of Midna appears and offers him freedom, but only if he agrees to assist her on her quest. During their escape, Link discovers that he is being kept in Hyrule Castle and that the world has been flooded in Twilight. Before he can meet with destiny, Midna returns him to Ordon Village where the monkeys of the Faron Woods have become violent. What foul demons wait in the depths of the forest? Can Link trust Midna and will he ever return to his human form?
 


The Light of Hyrule
The Legend of Zelda: Twilight Princess, Vol. 2 keeps with the overall tone of Vol. 1. There are a few interesting twists to the original story involving Princess Zelda's backstory and a glimpse of Link's grizzly rival, King Bulbin. I appreciate the various perspectives presented, and it's those little details that round out the narrative. Link and Midna have met and their dynamic is perfect. While their relationship is born out of a mutual need for one another to start, the foundation for their partnership is well established.
 
Link, however, is conflicted with his duty as a hero. Though he is a reluctant champion, he manages to navigate the Twilight in his new wolf form and rises to the occasion in order to protect his home.  The darker images and violence can prove to be a bit much for very young readers, but it stays true to the original game. The stakes are raising and it displays how the most noble creatures can be corrupted by the darkness. At the end,  we are once again left with a defiant Link and an uncertain future for Hyrule. (Unless, of course, you've played the game.) While Vol. 2 did a decent job capturing the important points by weaving in some extra backstory, there is just so much to cover in four volumes. I'm concerned about how much might be left out as the series continues.
 
The artistry for Twilight Princess, Vol. 2 brings out the dark theme of the Twilight realm. There is a distinct difference between the World of Light and the Twilight, and it makes the experience more immersive. The panels contain stunning images that really push the story forward, almost too quickly. However, it's a little disappointing at the end- simply because Vol. 3 is too far away. Is it March, 13th yet?
 


Twilight Princess, Vol. 2 : Final Thoughts
The Legend of Zelda: Twilight Princess, Vol. 2 is a great continuation of the darker video game in the franchise. The tone keeps the mature feel and has a good balance between the World of Light and Twilight artwork. The story is more character driven and provides some intriguing new details. It is a fitting continuation, and I cannot wait for the next one.
 
What do you all think? Have you read The Legend of Zelda: Twilight Princess, Vol. 2 ? Want to have a copy of your very own? Click here!
 
Or maybe you're more interested in the source material...click here for the HD remake on the Wii U, or here for the Wii version. Good luck finding a copy for the Game Cube!